|
Mary Rosenblum
|
Hello all and welcome to our
Professional Connection live interview.
|
|
|
Tonight we're visiting with Pam
Casto, Flash Fiction guru. Flash fiction has always had an important place
in the world of literature. Writers such as Ernest Hemingway, Mark Twain,
Anton Chekhov, Franz Kafka, O. Henry, Virginia Woolf, and many other fine
writers have given the world fascinating short-short stories. But lately
flash fiction has an even larger place in the world of fiction.
|
|
|
Pamelyn Casto teaches popular
online flash fiction and haibun courses http://www.flashquake.org/online-classes/index.html
She has written five articles on writing flash fiction for Writer's
Digest and other Writer's Digest publications and she's also a Pushcart
Award Nominee. She's editor of The Flash Fiction Flash Newsletter http://groups.yahoo.com/group/FlashFictionFlash
|
|
|
That, by the way, is an
excellent newsletter and I recommend you subscribe to it. I comb it
regularly for markets for my LR students!
|
|
Mary Rosenblum
|
Pam welcome! I’m so glad
you were able to join us tonight!
|
|
Pam Casto
|
Thank you, Mary. I'm delighted
to be here but concerned about the typos I'll likely make!
|
|
Mary Rosenblum
|
Ah, don't worry...you're a very
clean typist. And everybody in live chat is very good at guessing. J
|
|
|
So tell us how you first became
interested in flash fiction!
|
|
Pam Casto
|
That's a relief. Decipher,
decipher, decipher. I have lots I'd like to share with everyone so I'll get
to it.
|
|
|
I first became interested when
I grew a little tired of writing poetry. Many said my poetry was... like
flash fiction so I began studying flash fiction and discovered a
fascinating world.
|
|
|
After I studied it on my own I
decided to start an online critique group
|
|
|
and then discovered that not a
lot of people knew that much about it (about eight years ago). So I studied
some more, found some excellent pieces and the rest is where I find myself
today...
|
|
|
Once I got together with
like-minded writers we studied together and began getting our work
published. Then someone asked me to teach online course and I took that
on...
|
|
|
I now teach four-week online
courses in flash fiction through flashquake and I do the monthly newsletter
as well... thanks so much for the compliment on the newsletter. I hope your
students will also send me their publishing news on flash fiction for the newsletter.
|
|
Mary Rosenblum
|
You know, we should probably
begin with a bit of a definition for those who aren't sure what makes it
'flash fiction'. Is there a maximum length for it?
|
|
Pam Casto
|
Well... that's tough to
answer. Some flash fiction is very short and some goes as long as around
1,500 words. Editors often decide on what length they accept for
publication.
|
|
Mary Rosenblum
|
Thanks. Most of the markets
I've seen have been 1500 words or less. I love the challenge of conveying a
story in so few words!
|
|
Pam Casto
|
Writing it sounds easier than
it is. It truly does take a lot of work and revision to get a good story
going that can stand alone and still linger in the mind after the story's
read.
|
|
Mary Rosenblum
|
No kidding!!! But as someone
who does both short stories and novel form, I swear the shorter the length
the harder you work!
|
|
|
|
|
tarsus
|
Is all short short fiction flash
fiction? I'd never even heard the term until a few months ago.
|
|
Pam Casto
|
Some writers revise as many as
thirty or forty times before they're satisfied. It's definitely not easy to
write but worth writing nonetheless... In fact, one of the editors at
Playboy magazine says that there are only six writers of short-shorts. Only
six. I interpret that to mean that many are called but few are chosen.
|
|
|
Hi, Tarsus. I think
almost any short-short can also be considered flash fiction... The genre's
been around a long, long time... In fact, I recently picked up a "how
to" book on flash fiction that was published in the late 1940s.i
|
|
Mary Rosenblum
|
That's cool!
|
|
|
And it was called 'flash
fiction' back then?
|
|
Pam Casto
|
It was referred to as
"short-short" stories... Some prose poetry is also considered flash
fiction and some pieces have been anthologized in both types of
publications... Carolyn Forche and Russell Edson have had their works
published as both. One other interesting thing I discovered... one
publication that published poetry decided to call the next anthology flash
fiction so they could attract those not fond of poetry. Smart, huh?
|
|
Mary Rosenblum
|
Indeed smart! J That's
interesting. I had not realized that it straddled the prose/poetry divide!
So Pam, what is the value of working in such a short form for a novice
writer?
|
|
Pam Casto
|
The value of working in such a
short form for a beginner writer is because an idea can be conveyed in a
few words... Most of us realize that "truth" only comes in
glimpses and flash fiction is a way to convey those special truths. They
can be great ways of learning to write effective stories without having to
worry about having enough material for a full novel.
|
|
xana
|
So are you suggesting that flash
fiction does not need a plot?
|
|
Mary Rosenblum
|
Or is it a matter of conveying
plot through glimpses?
|
|
Pam Casto
|
No, flash fiction doesn't even
need a plot. Some pieces are mood or tone pieces that convey a moment or
two in time. The primary areas of flash fiction are point of view, voice,
and setting. Character development and plot take mostly a back seat to the
primary elements of flash fiction.
|
|
|
Good question, Xana.
|
|
|
Maybe a good way to explain
some flash fiction is through an example... Jerome Stern wrote this wonderful
little short-short about receiving a bad health report and he, the
narrator, had only a short while to live. So he and his wife were trying to
figure out what to do before his days were up... and they went out and
bought the biggest screen television they could find.
|
|
Mary Rosenblum
|
Thanks for the example, Pam. J
|
|
sharp21881
|
Is a certain structure recommended
for flash fiction
|
|
Pam Casto
|
You can read that short- short
by Stern
[click on his name]
|
|
|
Hi, Sharp. The structure can
be that of longer short stories or it can be completely experimental in
structure. There's no set "way" to write flash fiction.
|
|
klaxonbeard
|
Hi. How about other kinds of
flash, like plays and memoirs.
|
|
Mary Rosenblum
|
Are there equivalent short short
forms in other types of writing, do you know?
|
|
Pam Casto
|
Later in our chat I'll provide
you with some good online shorts and you'll be able to see the huge variety
in ways of writing flash fiction.
|
|
|
Hi, Klaxonbeard. Yes, flash fiction
takes so many forms-- radio shows, plays... in fact last I heard Richard Currey
was going from "page to stage" with some of his flash fiction
pieces. And there are anthologies on short-short memoirs and there are so
many opportunities for flash fiction pieces.
|
|
beryl
|
It seems an editor would be more
willing to risk a novice/new writer with flash fiction (taking up less
space)--is that correct?
|
|
Pam Casto
|
Yes, that's a great point,
Beryl. Yes, many newer writers are getting their work published... more and
more people are learning to appreciate flash fiction. Oprah Winfrey's O:
The Oprah Magazine Summer Reading Issue has eight flash fiction pieces
within. I think it's great that even Oprah's onto flash fiction now!
|
|
Mary Rosenblum
|
Wow, talk about suddenly
becoming high profile!
|
|
xana
|
What was Stern's point?
|
|
Mary Rosenblum
|
What do you think, Pam?
|
|
Pam Casto
|
Yes, Oprah can do that for
writers!
|
|
Pam Casto
|
Xana asked what was Stern's point...
So I'll try to interpret the story... As one who myself has recently gone
through some terrifying surgeries... I too wondered what I should do with
my life now that I got this reprieve. And I couldn't think of a thing that
was really really meaningful... So Stern's story really appealed to me
because the choice the couple made was so "common"... a big
screen TV. was all they could think of... And that seems to be such a
probability if we had to make such a choice.
|
|
Mary Rosenblum
|
Ah, thanks, Pam.
|
|
xana
|
Were any of Oprah's writers
'unknown' authors?
|
|
Mary Rosenblum
|
That's a good question!
|
|
|
Did you recognize them?
|
|
Pam Casto
|
Some are very well known to
flash fiction writers. The magazine included such fine writers as Stuart Dybek,
Antonya Nelson, Dawn Raffel, Amy Hempel and others-- all well known as
flash fiction writers (and writers of other things). It's a great issue and
is on the newsstands now.
|
|
joana
|
Can you tell us about the market
for flash fiction?
|
|
xana
|
Are there any paying markets for
flash fiction?
|
|
Mary Rosenblum
|
I know this question is on many
minds, Pam, and I know you came prepared.
|
|
Pam Casto
|
Joana asked and so did Xana
about markets. There are tons of markets for flash fiction. Last time I
counted in the Novel & Short Story Writers Market I came up with about
500... and there are many more opportunities not in that marketing
directory... and the Internet provides even more opportunities. Yes, there
are some paying markets as well. Many of them. In a moment I'll post a few
you might be interested in... but if you'll subscribe to my newsletter
you'll get markets every single month and contests too.
|
|
Mary Rosenblum
|
(It's worth it... testimony
from a subscriber, here!)
|
|
|
You can read Pam’s list
of markets and her ‘reading list’ for flash fiction stories here,
in Writing Craft; New Market Updates.
|
|
|
I had a question about your
teaching. What do you focus on when you teach flash fiction? What aspect of
the craft?
|
|
Pam Casto
|
The courses I teach run four
weeks and they are intense. I believe in total immersion while learning to
write flash fiction. In the course we look at a lot of fine works and
analyze them. So I'd say my primary focus is on reading good pieces to
learn the craft. Every single good piece of flash fiction is its own "how
to" manual. We also do plenty of exercises and discussion of flash
fiction.
|
|
|
My courses are pretty popular
and usually fill up right away. I limit the courses to 15 people and it
goes on 24-7. l
|
|
Mary Rosenblum
|
I like that approach rather
than a 'craft first' approach, Pam. The more fiction I read, the more I see
the multitude of ways you can write strong stories. So are these classes
online or in person?
|
|
Pam Casto
|
They're online. I teach flash
fiction and haibun and this fall I'll be adding a course on more advanced
flash fiction (for those who've already taken my original course) and
likely a course in writing magical realism. So they're online and I teach
each course two or three times a year. I also teach haibun (which can also
sometimes be included as part of the flash fiction genre).
|
|
Mary Rosenblum
|
Oh, magic realism...my favorite
genre, next to SF. J
|
|
|
By the way, could you tell us about
haibun...I suspect many people don't recognize the name.
|
|
Pam Casto
|
I was fortunate enough to take
a grad course in magical realism from Wendy Faris and I love the genre.
What is haibun, you ask? It's rather complicated but a brief explanation is
that it's usually about some travel experience (even travel in the mind)
and that's the prose part of the haibun. The haibun would then also include
a haiku poem and sometimes a haiga (art work). It's an old form and is
quite popular even today. Basho and Issa and Chiyo-ni are noted haibun
writers. As is Jack Kerouac (though his work is a little more edgy).
|
|
|
Wendy Faris, by the way, is a
noted scholar in magical realism. She also wrote a fine textbook on the
genre.
|
|
Mary Rosenblum
|
I'm familiar with Basho, but
the other two are new to me.
|
|
|
It's an interesting approach,
combining multiple expressive forms.
|
|
klaxonbeard
|
Can you comment on literary
versus genre flash fiction?
|
|
Pam Casto
|
Issa is quite different from Basho.
And Chiyo-ni was a renowned haikuist and only a few of her haibun are
extant.
|
|
xana
|
Haibun sounds like a kind of triathelon
for writers
|
|
Mary Rosenblum
|
I had to pop that in! Nice
simile, xana!
|
|
xana
|
A tri writealon, perhaps
|
|
Pam Casto
|
Good question, Klaxonbeard.
It's tough to separate them but editors do it all the time. I'd consider
mainstream flash as something you might read in the supermarket magazine
Women's World (a fine paying market for romances and mysteries). Literary
would be something you'd more likely read in small press or college
publications, who bill themselves as literary publications. A literary
piece of flash wouldn't have your typical beginning, middle, end. It's
often more enigmatic and oblique and often requires that the reader sort of
co-create the story. That's brief but I think it's pretty decent as an
attempt to separate the two types...
|
|
|
You're right, Xana... good
comparison. You have to be adept at writing prose and then be equally adept
at writing the haiku poem. Not to mention the art work (if you include it)!
|
|
Mary Rosenblum
|
Pam, I'd like to speak to
klaxon's genre question. As someone who comes predominately out of the
speculative fiction universe.
|
|
Pam Casto
|
Be my guest, Mary. I'd like to
see what you say, too.
|
|
Mary Rosenblum
|
The literary edge of horror and
dark fantasy and SF seems to lie in the flash fiction universe.
|
|
smashmom
|
How do we get more information
on the courses you teach?
|
|
Pam Casto
|
Speaking of which... I
recently picked up some fine little anthologies (circa 70s). One's Asmov's MicroCosmic
Tales and it's 100 science fiction short-short stories. The other was also Asmov
edited but I can't remember the title!
|
|
|
I teach my courses through
flashquake.com.
|
|
beryl
|
If the flash fiction was 500
words, would we be able to get away with sending it to (example) Woman's
Day--unsolicited or still need to follow guidelines?
|
|
Pam Casto
|
Smashmom... the URL for flashquake
is http://www.flashquake.org
|
|
|
Hi, Beryl. I don't know about Women's
Day. I'm sure they'd be listed in Novel & Short Story Writer's Market
or maybe they even have guidelines online. I’m just not familiar with
that market.
|
|
beryl
|
So, despite its brevity, and a
lack of clips (ugh!) we would do better to not send unsolicited flash
fiction?
|
|
Pam Casto
|
I'd hoped I'd be able to cut
and paste some URLs but it doesn't look like I can. So I'll try to figure
out something to provide some markets and some online reading.
|
|
|
I'd never let lack of clips
stop me! Every writer has to start somewhere and every writer was an
unpublished writer at one time. So send your work and see what happens.
I've known several writers who've published in Woman's World.
|
|
janp
|
How does flash fiction
incorporate the non-fiction short short? The term seems limited.
|
|
Mary Rosenblum
|
Short short personal narrative,
Pam?
|
|
Pam Casto
|
Hi, Jan... there are some great
anthologies on short-short nonfiction. Three great ones are In Short, Short
Takes, and In Brief. Editors are Kitchen and Paumier Jones. Who can ever
really tell the difference between fiction and nonfiction... really. Most
of our writing, I'd guess, is at least somewhat autobiographical. Maybe
some can tell the difference but I can't always.
|
|
Mary Rosenblum
|
That's a good point, Pam.
|
|
Pam Casto
|
There's a great online
publication that Dinty Moore does... the name of the publication is Brevity.
You might google that name and check out the writing there.
|
|
Mary Rosenblum
|
What about shortening longer
stories into a flash fiction piece? Can that be done?
|
|
Pam Casto
|
Since I can't cut and paste as
I'd planned. Here are the markets I had in mind and you can google these
names and get their guidelines and pay rates. Some pay an honorarium and
some pay a contributor's copy. Check out Flash Me Magazine, Flashquake, Mindprints,
Futures Mysterious Anthology Magazine, Cezanne's Carrot, Quick Fiction,
Vestal Review, and Double Room. Most of these are literary publications.
|
|
Mary Rosenblum
|
Several of them have very
strong reputations as markets, too.
|
|
Pam Casto
|
Yes, shortening longer fiction
into flash fiction is definitely a worthwhile effort. I understand that
Robin Hemley shortened his longer story in one of the Sudden Fiction
anthologies and ended up liking his story much better. Not only that but
I've purchased many a collection after discovering a writer in one of the
Sudden Fiction anthologies. Padgett Powell comes to mind. I read his story,
"A Gentleman's C" in Stern's Micro Fiction anthology. I ended up
purchasing his collection, Typical, and I'm enjoying his writing so much.
So shorten those longer pieces because it's good practice and good for
getting "seen" in the literary world.
|
|
Mary Rosenblum
|
Has anyone every put a novel
together, comprised of short shorts that are somehow connected?
|
|
Pam Casto
|
Yes. That's another way to
work with flash fiction. One of the best known novels done this way is Italo
Calvino's Invisible Cities. Alan Lightman, a physicist-author, wrote
Einstein's Dreams in this manner. And Roberta Allen, who wrote Fast
Fiction: Creating Fiction in Five Minutes, wrote her novel The Daughter
flash fiction style.
|
|
janp
|
James Herriot?
|
|
Pam Casto
|
Offhand I can't answer that, janp...
but if memory serves me correctly... I think his Creatures Great and Small
(that might be one title) might very well be written in this manner too.
Would you consider his work as a novel made up of short-shorts?
|
|
Mary Rosenblum
|
He does have some contiguous
threads of story in that collection.
|
|
|
Pam, do you think you could
sort of walk us through the creation of a short short...not a polished
whole
|
|
|
but rather the process you
might use? Where do you start? With a place? A person? An idea?
|
|
|
And how do you start taking
that to a flash fiction story?
|
|
Pam Casto
|
If it's okay, I now have a
question for all of you. I'm hard at work on a 7,500-word article on flash fiction
for a four-volume work on contemporary American fiction. It will be
published in England and distributed throughout the U.S. and Canada. I'm trying
to locate titles of college textbooks that either cover flash fiction or
which focus exclusively on writing flash fiction. Do you know of any
titles?
|
|
|
I usually begin with an idea I
want to convey. Some say just start writing and others say you should have
a goal in mind. I also like to write according to prompts sometimes. But
I'll get it in my head what I want a reader to come away with and write
from that pre-conceived goal (usually).
|
|
|
I've also converted several of
my poems into flash fiction pieces... and some of my flash fiction pieces
into plays... and I just keep tinkering with things until I find the form
that most satisfies me.
|
|
xana
|
Try going to the websites of the
major college text publishers such as Prentice Hall or Addison Wesley and do
a search on flash fiction. Another idea is to try the web text sellers:
bestbookbuys.com
|
|
Pam Casto
|
Great. Thank you beaucoups, Xana.
That's an excellent way to begin. Why didn't I think of that? Well, because
I didn't.
|
|
Mary Rosenblum
|
Xana had another idea for a
very good way to get word practice:
|
|
xana
|
My Diary - more or less in haiku
J
|
|
Mary Rosenblum
|
Or what about keeping your
diary as flash fiction pieces...say 500 words!
|
|
janp
|
Or your blog
|
|
Pam Casto
|
Well that would certainly be
great practice. I keep journals of writing ideas. And when I'm fresh out of
ideas, I turn to my journal and something usually pops up... and idea
wanting to be presented in story form. That diary idea sounds great. Didn't
Anne Frank do something like that? Yes, I think she did. That would be an
excellent way to practice brevity and you could create a story using diary
entries, even! Do it!
|
|
Mary Rosenblum
|
We're almost at the end of our
time, Pam, and I'd like to give the floor over to you here, to tell us
about your projects...
|
|
|
what you have out, what you do
with FlashFictionFlash...anything you'd like to share!
|
|
Pam Casto
|
Projects... I have at least
two million of them. I'm working on that 7500 word article I mentioned
earlier and I'm working up a couple of new courses for online classes. I'm also
recently involved with someone who has a great idea for short-short
fiction. I can't tell you too much more about that right now but the idea
is definitely a winner and we've been talking for hours about how we'll get
this project launched. And of course I'll continue doing my monthly
newsletter for flash literature writers.
|
|
Mary Rosenblum
|
Oh, let us know about the new
project whenever it's ready for the light of day.
|
|
|
Do you have anything out right
now that we can go read?
|
|
Pam Casto
|
Oh, I certainly will. I do
think it will be a great opportunity for short-short writers and it's
nothing I've seen done before. I'll be sure to let you know as soon as I'm
at liberty to tell more about this huge project. I have few things online...
but I have one little story published at flashquake in the archives and
it's called "Get You Dirty"... and it was my experiment with
voice...and it might shock you but be sure to read all the way through. I
also have some articles online on writing flash fiction. Let me find the
URLs and I'll try to type them.
|
|
Mary Rosenblum
|
We'll wait.
|
|
Pam Casto
|
My article on Flash Fiction:
The Short-Short to Ultra Short Story can be read at Net Author's E2K http://netauthor.org/e2k/jan2002/features.html
or at Riding
The Meridian http://www.heelstone.com/meridian/meansarticle1.html
|
|
janp
|
Thanks so much for visiting
tonight and sharing the inside story of flash fiction
|
|
Mary Rosenblum
|
You have been an excellent
guest.
|
|
Pam Casto
|
You're very welcome. I've
enjoyed this and wish we had time to talk more about flash fiction. You've
all been great to work with and I hope you've learned a little more about
flash fiction.
|
|
Mary Rosenblum
|
I'm so pleased to have you
here. I have been delighted with rising profile of flash fiction. I started
doing it early in my career just to see if I could write short. I tend to
long short stories. And found it a powerful tool to improve my writing.
|
|
|
I really appreciate the
insights you've shared with us tonight. Pam’s Reading List and
Markets can be found on the LR website at Writing Craft: New Market Updates
or click here.
|
|
beryl
|
Pam, this was excellent input
for me, thank you for all you put into this. I'll be getting your newsletter
(a class, too, as soon as I can) and Mary, thank you as well. I am
inspired.
|
|
Pam Casto
|
I don't think it's a type of
writing that's going to go away soon. Great, Beryl. I look forward to
working with you again!
|
|
Mary Rosenblum
|
You have been a great guest,
Pam. I hope you come back again...maybe when you can tell us all about this
project!
|
|
xana
|
Thanks Mary and Pam
|
|
Mary Rosenblum
|
And thank you all for joining
us tonight!
|
|
Pam Casto
|
You've all been great. Thanks for
having me. Over and... out... but always flashing.
|
|
Mary Rosenblum
|
Goodnight, Pam!
|
|
|
Thanks for coming!
|
|
|
Goodnight all!
|
|
|
Have a great weekend!
|