Forum Transcripts

Wading Through the Markets 5/23/06

Event start time:

Tue May 23 12:04:32 2006

Event end time:

Tue May 23 13:31:32 2006



Legend:
Questions from the Audience are presented in red.
Answers by the Speaker are in black.
The Moderator's comments are in blue.

mary rosenblum

Hello all.

mary rosenblum

Welcome to our Tuesday Forum.

mary rosenblum

I hope you all had a great weekend.

mary rosenblum

This is the Tuesday Forum with me Mary Rosenblum LR Web Editor, fiction and nonfiction writer. We're talking about finding markets. If you're new here, remember that you need to click on the Ask a Question button or the word bubble next to the red question mark at the top of the screen, or use the ask a question icon in order to ask a question. Your regular send bar won't reach me! You can also type /ask in front of your question in your regular send bar to reach me.

mary rosenblum

I wanted to talk about markets today.

mary rosenblum

It's a subject I try to return to frequently, since it is often the most difficult part of the LR writing course...choosing markets.

mary rosenblum

And the market indexes can be so hard to understand.

mary rosenblum

I was putting up the posts on the Post It board yesterday and found a post that really annoyed me.

mary rosenblum

The poster didn't annoy me, but the poster's experience annoyed me.

mary rosenblum

That person had had a piece accepted to a market, and then caught flack from family because 'that market takes anybody'...

mary rosenblum

and 'you'll hurt your reputation, being published there'.

mary rosenblum

That is SO much BS.

mary rosenblum

It made me angry, first of all, because this sniping came from people who were close to the poster...

mary rosenblum

and writing is tough enough on the ego without getting undercut by those close to you.

mary rosenblum

But what I said in my response was...if it's so darn easy to get published there, how come THEY haven't done it?

mary rosenblum

If someone criticizes your efforts at any stage, first you look at their publication history.

mary rosenblum

What? They've never published anything? Well then, what do THEY know?

mary rosenblum

Markets vary from no-pay, small markets to big, commercial markets that pay well...

mary rosenblum

but mean you have to compete against the likes of me. :-)

mary rosenblum

But publication anywhere is going to help you. People will read your work.

mary rosenblum

If they like what they read, they'll remember you.

mary rosenblum

If they see your name again, they might buy the magazine or they might tell a friend that you're good, read this person if you see anything.

mary rosenblum

You begin to build a fan base.

mary rosenblum

And editors read the small press and ezines...they keep an eye on what is happening in their universe...

mary rosenblum

because their success depends on it.

mary rosenblum

So you are always doing something good for yourself when your work shows up in public space.

mary rosenblum

Yes, it might be the only good story, say, in a really lousy little ezine...

mary rosenblum

but then it shines by comparison.

mary rosenblum

Wow, did you read that story? It was the only good thing in the whole issue.

mary rosenblum

This is the Tuesday Forum with me Mary Rosenblum LR Web Editor, fiction and nonfiction writer. We're talking about finding markets. If you're new here, remember that you need to click on the Ask a Question button or the word bubble next to the red question mark at the top of the screen, or use the ask a question icon in order to ask a question. Your regular send bar won't reach me! You can also type /ask in front of your question in your regular send bar to reach me.

geezer

I looked at Glimmer Train. They say they want all genres, but then say they are a literary magazine. I'm confused.

mary rosenblum

Yeah, I've pretty much stopped recommending GT to new writers unless they're writing literary fiction.

mary rosenblum

GT used to be pretty eclectic, but recently it has only published work from people within the university/literary crowd, so I don't think it's a realistic..

mary rosenblum

market for most writers. I think you're going to need university credentials to sell there, alas. Too bad.

andi

I read they have fiction contests.

mary rosenblum

They have contests. You can enter them. I don't know what they are selecting as winners...

mary rosenblum

but it may not be any different from what they are looking for from submissions.

mary rosenblum

It's worth a try, just don't be too disheartened if you don't win.

andi

Mary, could you tell me where Arabella magazine web site is?

mary rosenblum

As far as I know Andi, they have ceased publication.

mary rosenblum

I think she brought the magazine back up briefly, but from everything I can determine, it must have gone out of business again.

mary rosenblum

That's the problem with new markets in the small press print universe and for-pay Ezines.

mary rosenblum

It is very hard to get a new market to a self-sustaining level.

mary rosenblum

They often open for a year or so, but are essentially funded by Visa and if they don't start...

mary rosenblum

generating enough ad revenue to make ends meet, they close sooner or later.

andi

Darn, i had one to send there.

mary rosenblum

Yeah, it's too bad. Short Romance markets are very very scarce, and short paying Romance markets are...

mary rosenblum

as far as I can tell...pretty much limited to anthologies.

mary rosenblum

If you want to sell in Romance you need to join RWA (Romance Writers of America) and get their newsletter.

janecj333

When you say university credentials, do you mean an MFA, or publication at a university lit mag, or either?

mary rosenblum

I don't get the magazine anymore, but my informants tell me most of the authors have MFA credentials.

mary rosenblum

That's not a certainty, it's second-hand information.

cherley

Off topic. I am working on a novel. It's kind of historical fiction, Bibical times. But I want to add things that are more modern but not today's times. Can something like that work.?

mary rosenblum

Wow, not in the historical fiction market, Cherley.

mary rosenblum

In that market you MUST stick to historical reality. But there is another genre...

mary rosenblum

alternate history.

mary rosenblum

This is in the speculative fiction field and includes stories from a history that has 'diverged' from the real history.

mary rosenblum

Your novel might fit that...hard to say.

geezer

MFA?

mary rosenblum

Master of Fine arts from a University. Pretty much worthless, in my opinion, if you're planning on publishing anywhere except the lit mags.

cherley

I want it to just be fiction, but I just wanted to use some of the bibical stuff and move it forward in history.

mary rosenblum

Hard to say where it would fit, Cherley. The mainstream market is really large.

mary rosenblum

This is the Tuesday Forum with me Mary Rosenblum LR Web Editor, fiction and nonfiction writer. We're talking about finding markets. If you're new here, remember that you need to click on the Ask a Question button or the word bubble next to the red question mark at the top of the screen, or use the ask a question icon in order to ask a question. Your regular send bar won't reach me! You can also type /ask in front of your question in your regular send bar to reach me.

mary rosenblum

The main issue with any market is really understanding what the magazine needs...or what the book publisher is looking for...

mary rosenblum

and relating that to what you have to sell.

mary rosenblum

Nearly every editor I"ve talked to (actually EVERY editor I can remember asking) gives the same...

mary rosenblum

answer when I've asked what is the biggest reason for rejecting ms...

mary rosenblum

and we're talking well written ms, not junk.

mary rosenblum

The reason is: It doesn't fit the magazine.

cherley

Just wanted to know basically if it's acceptable to move it around like that. Like changing the scenes to add like wagons and horses and more modern homes.

mary rosenblum

Its' really hard to say, Cherley. If it's not the real world, or a real historical setting, then it's probably going to be seen as a fantasy world...

mary rosenblum

and your market will be the fantasy publishers.

mary rosenblum

Fantasy and speculative fiction do cover a wide range of fiction.

geezer

Hey Mary, you do everything else, why not start a magazine for people like us?

mary rosenblum

Well, geeze, I'm already living more than 24 hours in a day now. If you can figure out how I can squeeze 48 hours into a single day, I'll do it! :-)

massite

Can entering contests can affect you as a writer?

mary rosenblum

Yes and no, massite. It depends on the contest.

mary rosenblum

It always helps to say 'my story won XXX contest' in a cover letter, even if the contest is tiny.

mary rosenblum

And some contests are well known.

mary rosenblum

Saying you won or even placed in the Writers Digest contest means something...just because they get SO many entires.

mary rosenblum

If you're writing SF/fantasy, winning the Writers of the Future contest gets you some name recognition.

janecj333

I'm sure I have seen ezines that publish fiction specifically written by unpublished authors.

mary rosenblum

You have indeed Jane.

mary rosenblum

There are a few that focus on unpublished writers only and let's face it, the nonpaying markets...

mary rosenblum

really don't attract professional writers.

mary rosenblum

We need to get paid for our work, because we're paying bills that way...

mary rosenblum

and a small unknown magazine won't do a lot for our careers...

mary rosenblum

so you don't get a lot of competition that way.

mary rosenblum

BUT...

mary rosenblum

And this is a VERY important BUT...

mary rosenblum

you should not BEGIN with a tiny, no-pay market if you think your article or story...

mary rosenblum

should work for a big, high paying market.

mary rosenblum

AlWAYS start at the top.

mary rosenblum

Hey, maybe you'll sell that piece right off to the no-pay market because it's great.

mary rosenblum

But maybe you would have sold it to Women's World, if you'd sent it there, first.

mary rosenblum

Send it to the top markets and if they turn it down THEN go for the small markets.

mary rosenblum

When you're starting out, clips and a bit of name recognition will help you.

acook

By top markets you mean more recognizable markets to the average person?

mary rosenblum

Yes, acook...these are the large circulation mags that you see in the bookstores, the really well known ezines like Slate.com, or the book publishers whose books appear in Barnes and Noble.

mary rosenblum

This is the Tuesday Forum with me Mary Rosenblum LR Web Editor, fiction and nonfiction writer. We're talking about finding markets. If you're new here, remember that you need to click on the Ask a Question button or the word bubble next to the red question mark at the top of the screen, or use the ask a question icon in order to ask a question. Your regular send bar won't reach me! You can also type /ask in front of your question in your regular send bar to reach me.

drowningmermaid

This is a little off-topic, but there seems to be a reasonable interview market out there. I was wondering if it is proper etiquette to approach the person you want to interview First, or the magazine you want to write for?

mary rosenblum

It's not off topic at all, maid.

mary rosenblum

A good interview is the BEST way to break into the NF market.

mary rosenblum

Editors want 'primary' sources ...like an expert interview.

mary rosenblum

They do NOT want something you researched from the internet (any reader could do that).

mary rosenblum

Yes, make sure you have a 'yes' to an interview before you query editors.

mary rosenblum

You don't want that editor to say yes, only to come back with a shamefaced, 'uh, he won't talk to me' letter.

mary rosenblum

A tip here:

mary rosenblum

Pick your market first, decide what topic you think that editor wants, and then pitch the interview.

heal

clips and name recogniions?

mary rosenblum

Clips are the list of publications you have.

mary rosenblum

When you send in a query or a cover letter, you tell the editor where you have been published.

mary rosenblum

Editors don't know ALL the markets out there, so even if this is a tiny ezine...

mary rosenblum

it's still a publication.

mary rosenblum

And name recognition is just that...

mary rosenblum

it is the coin of the realm.

mary rosenblum

The more people who know who you are, the more people who will buy something Just Because YOU Wrote It. That is worth cash.

mary rosenblum

It means readers KNOW you, know you won't dissapoint them, and will snap up something because your name is on it.

mary rosenblum

That is what editors pay good money for and that is what you work HARD to build as a new writer.

paminnapa

Im still really new at fiction. I know there are sub catagories in most genres. If say Im writing a SF would I strictly have to promote it as SF when IMO its more of a thriller/ mystery?

mary rosenblum

Some mystery markets will take crossover mystery/sf, pam.

mary rosenblum

Others...like Ellery Queen...will not.

mary rosenblum

You can submit to any market where your story fits, no matter what marketing label it's sold under.

mary rosenblum

You'll find plenty of speculative fiction in mainstream, for that matter.

mary rosenblum

This is the Tuesday Forum with me Mary Rosenblum LR Web Editor, fiction and nonfiction writer. We're talking about finding markets. If you're new here, remember that you need to click on the Ask a Question button or the word bubble next to the red question mark at the top of the screen, or use the ask a question icon in order to ask a question. Your regular send bar won't reach me! You can also type /ask in front of your question in your regular send bar to reach me.

geezer

So where would you send an adventure/romance SS if you didn't have a name?

mary rosenblum

any market where I think it would fit, geeze.

mary rosenblum

I'd try to line up four or five possible markets, rank them from best paying to no pay...

mary rosenblum

and start with the best paying market.

mary rosenblum

Never avoid a market just because you don't have a name.

mary rosenblum

If the story or article seems to be 'right up their alley', try it.

mary rosenblum

While names matter because they sell books and issues to readers, editors don't have enough...

mary rosenblum

good stories or articles from name writers and they are always looking for new blood.

geezer

There doesn't seem to be any markets that fit.

mary rosenblum

alas, the short fiction market is very think, geeze.

mary rosenblum

You'll probably have to search the small ezines.

mary rosenblum

There's a new publishing trend that may help you.

mary rosenblum

The anthology market is moving from reprints only to first-rights stories (stories that have never been published).

mary rosenblum

That should open up more short fiction markets, although you may have to find them...

mary rosenblum

via the internet or professional journal newsletters rather than the regular print market indexes.

mary rosenblum

Anthologies tend to open and close in short spans of time, so the market indexes that get updated once a year (the paper ones in other words), may not include them.

mary rosenblum

And new markets come about ...and fail...often.

mary rosenblum

If you can't find a market for a story right now...hang on to it.

mary rosenblum

It's inventory.

mary rosenblum

If you find a market, you have a story ready to send off.

janecj333

Writers Market lists university presses, many which accept spec fic, and also regional lit mags (many come and go, so you have to research them online) which accept the same

mary rosenblum

They do, Jane, but the lit mags and university presses are a real catch 22. You are pretty much wasting postage...

mary rosenblum

unless you order the magazine and read it.

mary rosenblum

They are subsidized...that means they don't have to sell advertizing in order to stay solvent.

mary rosenblum

That means the editor only has to please himself or herself...

mary rosenblum

so you tend to see very narrow 'takes' on 'good fiction'. If what that editor likes is what your story happens to be...

mary rosenblum

you might sell there.

mary rosenblum

But the window is smaller than it is for the commercial publications (Well, excluding Fantasy and SF, LOL)...

mary rosenblum

and the standards are more whimsical.

mary rosenblum

That market is really worth the price of a sample copy or two.

mary rosenblum

Especially if rejection slips really depress you.

mary rosenblum

My joke about F & SF could use some explaining...

mary rosenblum

Gordon Van Gelder, the editor of F &SF, really does buy what HE thinks is good fantasy/SF...

mary rosenblum

and that excludes a lot, such as classical Sword and sorcery type fantasy...

mary rosenblum

so that's one where a sample copy will save you some rejections.

janecj333

Iowa Woman and Latino Stuff Review, two high-quality but short-lived lit mags, accepted my work and I had never reead either one, so it pays to try them, imo

mary rosenblum

Sure, but it's a crap shoot.

mary rosenblum

I've known writers who sold their very first story to a lit mag and ten years later had never sold another piece.

mary rosenblum

You just don't know.

mary rosenblum

If you really want to sell to that market, buy some sample copies.

mary rosenblum

I send some magic realism stuff to the literary anthology markets once in awhile, but I'm always amazed when it sells. :-) I'm just throwing a dart to see if it lands near the target. :-)

mary rosenblum

The first thing to think about in any market is...does my piece really fit it?

mary rosenblum

I can't repeat enough that you're much better off finding a copy or two to read...often you can do that at the library...

mary rosenblum

or find some samples on the magazine webpage...

mary rosenblum

than depending on the guidelines.

mary rosenblum

Most guidelines sound exactly alike and the magazines are far from alike.

mary rosenblum

In nonfiction especially it is really really important to read back issues.

janecj333

I think it was Octavia Butler who early in her career sold a short to a major sf mag, then not another story for five or more years after that. Funny.

mary rosenblum

Oh yeah...many of the big names in SF had a slow start...you never know how you're going to proceed.

mary rosenblum

That's why you can't quit if you don't sell something right away.

mary rosenblum

You really do have to keep sending work out and striving to get better.

mary rosenblum

Sometimes the market has to come to you.

mary rosenblum

Jeff VanderMeer, my guest some weeks ago...

mary rosenblum

started publishing in very small ezines, but he began to grow in popularity...

mary rosenblum

and now he's publishing with the big NY and London publishers.

mary rosenblum

This is the Tuesday Forum with me Mary Rosenblum LR Web Editor, fiction and nonfiction writer. We're talking about finding markets. If you're new here, remember that you need to click on the Ask a Question button or the word bubble next to the red question mark at the top of the screen, or use the ask a question icon in order to ask a question. Your regular send bar won't reach me! You can also type /ask in front of your question in your regular send bar to reach me.

beryl

Forgive me if this has been covered. I have heard you don't need an agent for magazines. Then I see Good Housekeeping and others say only agented ms accepted.

mary rosenblum

Ah, that's too bad, beryl. It's probably because nearly every new writer out there...

mary rosenblum

has sent something to GH even if it's not what they publish...

mary rosenblum

But I think GH is still open to queries. In fact, almost NO major commercial NF magazine will accept a mss.

mary rosenblum

They all want a query first.

mary rosenblum

Some will accept a personal narrative as a mss rather than a query.

mary rosenblum

But rarely nonfiction.

mary rosenblum

That's why you want to practice writing strong, dynamic queries.

mary rosenblum

Remember that often that 'no unsolicited mss, or no unagented mss' simply means that the publisher wants a query.

mary rosenblum

They don't want the mail room cluttered with a dump truck load of mss every week!

mary rosenblum

Read the guidelines carefully.

mary rosenblum

Don't stop reading when you get to 'no unsolicited or no unagented mss'.

mary rosenblum

Even the book publishers use that when what they are saying is 'query us first'.

mary rosenblum

And market list jargon can seem very arcane at first.

mary rosenblum

The query letter and agents (for book length works) have been set up as 'gateways' to stem a flood of paper that hit the big publishers some years ago.

mary rosenblum

Most commercial magazines get 1000 submissions a week, most of which are not suited to the mag.

mary rosenblum

(SO you're not competing with 1000 people, don't worry)

mary rosenblum

Now with nonfiction, one way into the market is to sell to the small magazines that don't attract the big pros...

mary rosenblum

tja

mary rosenblum

that's pretty easy to do.

mary rosenblum

And as you amass clips at the 'bottom level', you then pitch articles to the larger mags, and with your clips...

mary rosenblum

adn improving technique (are ARE working at getting better, right?), you ...

mary rosenblum

sell to those, and then you step up again...

mary rosenblum

finally making it to the very top markets that pay very well.

mary rosenblum

That doesn't mean you shouldn't query the big markets if you have a dynamite idea that seems to fit...

mary rosenblum

them perfectly. But you can sell pretty easily to those small circulation mags...

mary rosenblum

and clips matter.

mary rosenblum

Another foot in the door for nonfiction and occasionally fiction magazines...

mary rosenblum

is in the 'departments'.

mary rosenblum

These are sections in the magazines that invite input from readers.

mary rosenblum

It might be a 'tips' column for a garden or kitchen or pet magazine...

mary rosenblum

or a column where readers share experiences.

mary rosenblum

Editors notice well written material and remember the name...

mary rosenblum

especially if you contribute regularly.

mary rosenblum

If that editor later sees a query from you, the name recognition will help you. She knows you write well and regularly.

mary rosenblum

She is inclined to give you a break.

mary rosenblum

Occasionally an editor will even suggest a topic.

mary rosenblum

Editors do like to give writers a hand up if they can do so.

mary rosenblum

But it IS their job AND their reputation, so they won't publish poor material just to be nice to you.

mary rosenblum

Use the internet for research, too.

mary rosenblum

Many magazines have websites and they post samples from their issues.

mary rosenblum

Those are very useful and you don't even have to drive to the library.

janecj333

The problem with writing to the market is that it's hard to stay passionate about your story. Invariably, writing for a theme, contest, or anthology brings out no good in me...writers block, procrastination.

mary rosenblum

Well in nonfiction there is ONLY writing to the market, so you have to be able to find your passion there, Jane.

mary rosenblum

And some writers can't write to theme. You do what you can do, and that's it.

mary rosenblum

Me, I love theme anthologies. :-) They've done half my work for me...given me a plot start. I love the fun of coming up with a story...

mary rosenblum

and characters to highlight that theme. :-) But that's just me. Not all writers do that.

cherley

I do well with a theme. I feel like you, half the work is done. LOL

mary rosenblum

yeah, me, too, Cherley. :-)

mary rosenblum

Everyone works in his or her own way.

heal

define anthology please

mary rosenblum

An anthology is a collection of short stories published in a book form, heal.

mary rosenblum

You have 'single author anthologies', (I have one of those out), and anthologies with multiple authors...

mary rosenblum

those are often 'theme anthologies'...

mary rosenblum

where every story sticks to a particular theme -- ghost stories, dog stories, horror stories, dragon stories...

mary rosenblum

something like that.

mary rosenblum

Those used to be mostly reprints, but now they're mostly new stories.

mary rosenblum

One new market by the way, for fantasy and horror stories is Fantasist Enterprises...

mary rosenblum

this is a new company trying to publisher multiple theme antholgies every year...

mary rosenblum

and they're very open to new writers.

heal

how do you mean the work is almost done for you

mary rosenblum

Oh it's hardly ALMOST done, heal.

mary rosenblum

But I like the challenge of coming up with a story to suit a theme.

mary rosenblum

It's like picking word out of the dictionary and then coming up with a story that contains that word in the title...

mary rosenblum

another fun challenge I do once in awhile.

janecj333

I suppose the biggest problem I have is not so much finding a market, but deciding a piece is ready and then letting it go.

mary rosenblum

Ah, that's very common.

mary rosenblum

And it's something that each person has to work through...because each of us...

mary rosenblum

throws more barriers in front of our writing than the publishing world does.

mary rosenblum

And at first it's hard to know what is 'real' and what is your self doubt (ie shoulder vultures) talking.

mary rosenblum

It's VERY easy to feel 'this is awful', when what you're really feeling is your own doubts about your ability as a writer.

mary rosenblum

You don't have any reader validation before you publish, so you can believe your own worst opinion.

mary rosenblum

That's where good critiquers come in, who can tell you when something works.

heal

Oh so hey give you a theme to write about

mary rosenblum

Most of the time, heal.

mary rosenblum

Generally, if you're only fixing single words on a revision...just tweaking sentences...

mary rosenblum

then you've gone as far as you're going to go with this piece right now...

mary rosenblum

and it's time to send it out or give it to a good critiquer.

mary rosenblum

(Actually, I give my second draft to my critquers...no way I'm polishing something I might change! )

janecj333

Mary, I've found a site called critiquecircle.com where members have passwords to post and see others' work. They claim that because it is password-access, anything posted is not considered 'published online'.

mary rosenblum

That should be true, jane.

mary rosenblum

You're only compromising rights if you publish in public space.

mary rosenblum

That's the same as mailing your story to readers.

mary rosenblum

Or passing it out to a critque group.

mary rosenblum

Readers are your best feedback.

mary rosenblum

Not every reader will give you good input...but when several readers say the same thing...

mary rosenblum

this is great or I had trouble here...you should listen.

mary rosenblum

Well, this has been a fun Oregon hour. :-)

mary rosenblum

The markets are very daunting as you first start sending work off...

mary rosenblum

but you just have to make the best choices you can and persevere.

mary rosenblum

It doesn't hurt your as a writer to keep sending work out, it DOES hurt you as a writer to NOT send work out.

mary rosenblum

Rejection slips are not meant to tell you 'don't write'. Even tho we tend to read them that way as new writers.

mary rosenblum

They are 'try again'.

mary rosenblum

Well, have a good week, all.

mary rosenblum

I''ll be in Wisconsin at WisCon, a conference on feminist SF...so I'll have to miss..

mary rosenblum

our Friday Forum this week.

mary rosenblum

But I'll try to get on Sunday and say hi.

mary rosenblum

Do join us tomorrow morning for our casual chat thought.

mary rosenblum

Have a good week all!

mary rosenblum

I'll post the transcript at the usual place:

mary rosenblum

Writing Craft: Forum Transcript.

 

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